My Back Pages – a collection of links to my work online:

http://dreamsjourneys.blogspot.com/2013/03/dreams-and-other-journeys-by-laurie.html
a collection of poetry, short stories and thots from my late teens through my early 50s

https://web.archive.org/web/20010502215135/http://www.geocities.com/Athens/Parthenon/8401/
my geocities page (from last century — links mostly obsolete)

http://www.lulu.com/shop/laurie-corzett/words-from-the-sky/ebook/product-18613483.html
Philosophic and inspirational poetry and poetic prose. Notes from an ongoing journey of transformation, using language to capture visionary imagery. Complex, metaphysical, reflective — pieces embroidered in faery dust, others engraved in lead that alchemically turns to gold. Words from the Sky God, Uranus, progenitor of us all and grand inspirer through the chaos of change.

http://emergingvisions.blogspot.com/
emerging visions
MOVING FROM THE VISIONARY’S IMAGINATION INTO VIEW THAT ALL OF US MAY LEARN TO SEE FURTHER
an online ‘zine displaying various visual and written visionary art connected into a derivative artistic statement. It is free for anyone who wants to view it

https://bdelectablemnts.runboard.com/t1215
Root of Desire
working with a gaggle of characters in conversations, back stories and poems from their perspectives.

https://venusianair.blogspot.com/
Venusian Air
partial compilation

https://om2317.wordpress.com/
poetry
https://windsongmyths.wordpress.com/
chapbooks, cycles, montage pieces
and myths personal and reimagined
https://windsongmyths.wordpress.com/evening-dionysian/
working title: [evening dionysian] – performance of imagination:
Dancers dance
musicians play
Enchanting sylph narrates stories
while seductively moving to sinuous
back beat, tick of chimes.
Occasionally emphasizes subtle percussions
with intense expressions, leaps, cunning
stumbles, falling to crawl into spellbound speech.
Scheherazade myths, archetypal passion
escapades, poignant weeps, salient shouts
to power. Exquisite meditations on mystic
climes, spirit and form. Merry masks,
sparkly costumes, paint and glitter as
embellishment to the tellings.
Theater as intimate ritual.
Anything could manifest.

https://lunaramble.blogspot.com/
lunar rambles, random acts of sharing
and works in progress
https://yprophecies.wordpress.com/
seasonal writing and other journeys
https://yearprophecies.blogspot.com/
blogbbook word opera
https://postapocalypse13.tumblr.com/
the night’s pages precurser and random thots

https://nightspages.blogspot.com/
night’s pages
{patchwork narrative} a flash fiction serial following the story of a child vampire, the eternal child monster working out that existence.
Something Sacred online
experimental metafiction scif fi fantasy
http://caelastory.blogspot.com/?zx=c0685d9c70ddcc67
https://www.redbubble.com/people/libramoon/writing/25981754-something-sacred-metafiction?asc=u
https://www.redbubble.com/people/libramoon?ref=account-nav-dropdown&asc=u
http://libramoon.deviantart.com/art/Acts-of-Desolation-1-671429065
http://libramoon.deviantart.com/
https://yprophecies.wordpress.com/2017/03/
http://bdelectablemnts.runboard.com/t2582
https://www.tumblr.com/blog/postapocalypse13
https://www.tumblr.com/blog/libramoon2
Something Sacred – Prologue

In the time of antiquity, back before our written records, we are told that humans and gods freely played together and created a beautiful city in the heart of an exquisite landscape where all were free yet happy to cooperate so all might share a common bounty and all might know the joy of engaging each in their true work, respecting the best in all. It was a peaceful time, a happy time, with energy displayed in healthful work and joyous art. Every day was celebrated and every contribution honored.

But then the gods, who are immortal and powerful, grew away from their human playmates. The games they played became more sophisticated, less easily joined in. They developed concerns with a longer view and devised complicated scenarios, complex barriers which humans could rarely overcome to play in the fields of eternity. We became confused and frightened. Some of us would develop feelings of superiority believing we were the arbiters of rights and wrongs, that we deserved and needed power over others, to make our dictates law and punish those who did not properly honor and obey. Others developed feelings of inferiority and great fear of insecurity. We started to believe that there could not possibly be enough bounty for all, that we must hoard and fight off those who might take what we thought of as ours. Instead of happily joining our efforts to assure common good, to find equitable and practical solutions to problems, to enjoy and honor our individual abilities, we broke off into groups that underscored and denigrated our differences. We expended our energy inventing weapons, teaching and learning war. We praised our warriors, poisoned our lands and our minds with the detritus of hatred, passed on violence, discord, deep pain within our families and against our neighbors. We despoiled the gifts the gods had freely given us, repurposing them as game pieces against each other, even against our own best interests, even against the peace-loving, hopeful and ecstatic parts of ourselves. We dishonored the gods and all they had given us. We dishonored our own beautiful potential.

The gods were horrified and disgusted when they saw what we had done. Being ancient and wise, they did understand that they had a part in the blame. They tried to tell us where we had gone wrong, tried to enter our hearts and minds to lead us back to our true paths. But humans, for the most part, had gotten too caught up in our own dramas, feuds, thirst for vengeance or wealth, power, fame. The newer generations had been raised with these values rather than valuing themselves and their collective talents. They had never developed an interest in working and growing together at a high level of prosperity for all. They had learned, instead, to be bitter and angry and depressed, impatient for wealth that even when attained never provided the peace they unknowingly yearned for.

The gods held council and discussed the tragedy that the humans had made of their lives. Taking the long, immortal, view, they decided upon an experimental course of action. They would plant songs, ideas, legends, methods of discovering sacred knowledge. They would at whim walk among us and whisper or sing, act out, prophesize for any who were strong enough or weak enough or somehow developed the space in their minds to understand. They would plant the seeds of salvation in a variety of environments, then watch to see if any sprouts took hold. In this way they hoped to slowly encourage us to find our way back to our true nature as vibrant beings, to help us relearn, become the glorious people we were meant to be.

That is the story we tell. But, of course, we humans had become entrenched in our unhappy ways. A promise of something better was not sufficient motivation to change. The gods devised crises of various kinds and durations to shake up our misaligned order and give us new configurations to deal with, in the hope that in being forced to learn new ways we would eventually turn to the abandoned way that had given us so much. And, despite their horror, disgust and sadness, the gods found joy in their efforts made into games for their own amusement. Some of these games, their stories, are passed down as legends for celebrations or teaching, or told by our storytellers as spontaneous inspiration.

I am an old woman. I have lived a blessed life, with so many wonderful and terrible memories to keep me company. I have gone on a marvelous journey and won the greatest prize. Well, actually, there were several journeys. There were long, dangerous roads and dramatic adventures. There was love; there was loss. There was dedication to an underlying truth that carried me along even when all hope and reason strayed. I have grown and learned from experience, into a deeper wisdom, a luminous joy that is all I could ever be, till it flows out from me into all I perceive and into the hearts of my people to go on into those who will come.
Diaspora

I was born in the City, the only city on my world. It is a huge and sprawling center of culture, seat of government, depository of knowledge. There are marvelous tall buildings, street and underground transportation systems, concourses of commerce, magnificent museums, libraries, concert halls, theaters. There are public ceremonies of much pomp and circumstance. There are great universities, industrial complexes, sports arenas, and all manner of commercial enterprises. It is an efficiently run city where public servants take pride in their work and everything is kept clean and gleaming. I only have vague memories, but this is what I have been told, and have seen in elders’ memories. The military trains in camps on the outskirts of the City, not too far from the prison camps, from which many of the troops are recruited. Nothing is left to chance; little is wasted. There is freedom for the citizens in their private lives, but only insofar as they obey the public rules.

My name is Caela, and I am of the witchfolk. That is what we were called on our home world, Earth, centuries ago. Where shall I begin? There was that ancient era when a craze for genetic solutions came with advances in genetic research, as the histories tell us. Fashionable parents of that age reveled in their ability to choose special gifts for their offspring through the miracle of gene manipulation. It was thought by someone with the clout for the research dollars that there was a crying need in their society for people with enhanced empathy, minds that could probe the minds of others — maybe as clinicians, maybe as spies, maybe as weapons. We were used for all of those purposes, and not to our benefit. We became vilified, feared and hated by those who did not share our gift. Naturally, we tended to band together, to marry and live within communities of our own, of those who neither feared nor revered us but simply knew us as we were, as people much like themselves. Bonding together in enclaves within which we felt accepted and protected, we left the others to develop their fears and resentments. We had natural advantages in myriad social situations, able to know what others felt, to enhance those feelings or divert them to our purpose. Of course, some of us had used those advantages unscrupulously — although that very empathy in some ways puts a damper on the advantages of manipulation over time. Thus, there was actually much less abuse of our abilities than was expected by the general population.

Over time many of us learned to keep our abilities to ourselves and blend in more with the mainstream. By the time of the big wave of colonization, most of us were quietly assimilated, not particularly noteworthy. Still, many of us hoped for less constrained lives on a brand new world. Those who came to this planet, Eden, so named because of its bountiful natural resources, did so as common recruits like anyone else, looking for the possibility of paradise. Genetic engineering technologies did not ultimately solve Earth’s problems of over-population, pollution, depletion of resources. The solution came from the science of space travel, the brave new adventure of colonization. As star travel and planetary exploration permeated the media and popular imagination, the idea of leaving the troubles of Earth behind to start over on other worlds became a common dream. People from all walks of life became enamored of their own fantasies of what they could become given such a new start. People from all walks of life ultimately made the journeys, took the chance, found themselves vastly far from home, and, perforce, created new homes which they were privileged to build from scratch, in league with the others who had made the journey with them.

prequel – Acts of Desolation
from: Acts of Desolation http://caelastory.blogspot.com/2009/03/acts-of-desolation-when-battlefield.html

When the battlefield torn by mines is all the school or playground in which to grow,
how can the children be taught to know, to understand a lexicon of peace?
Bitter hatred permeates mother’s milk and what there is of grain,
permeates the very rain, gathered in barrels since the wells ran red
with poisoned blood, since the holiest of sites became blackened
with pestilence and shame.
Rumors expand on who is to blame; not much else to go around..

I like to walk the dark empty streets. Late at night, the city becomes its own. The smells, the silence, the stark black and white, shadows and streetlamps, without the people the city can become comforting, peaceful. But never for long.

It was a cold night, early in January. It hadn’t snowed much, but there were icy patches where puddles refroze after the hours of the traffic’s warmth. She was huddled in a threadbare shawl, moving at a pace some compromise between care for the ice and keeping blood from coagulating to avoid frostbite. I don’t like to get involved. In the end you can only lose.

Sure enough, a large, somewhat threatening looking, guy appears, yelling after her.

I keep to myself against the reassuring bricks and steel, and watch the drama ensue.

But maybe I’m not as sheltered as I thought, since the next thing I know I am waking with a monumental headache in a far different place. Bright lights, loud noises, sterilized activity, I am propped up against a wall in an overcrowded ER, a place where my disheveled, disoriented presence is sure to cause no alarm.

Then, I see her on a gurney. She is deathly pale, still. I am starting to wonder if this is all a dream, or some superdrug hallucination, but the sensory qualities are all too real, and distasteful. I hate when that happens. Now I’ll have to deal with all this gross stupidity without the benefit of knowing what it’s all about.

A nurse’s aide comes over with a form for me to fill out about insurance and next of kin. I motion, slur, get him to understand that I am concerned about the young woman on the gurney. He probably thinks she’s my sister or girlfriend, and tells me she’s lost a lot of blood, but they will be transfusing as soon as the right blood type comes up from storage. It may be touch and go, but she’s in good hands. He tells me a physician’s assistant will be calling me shortly to examine my contusions and lacerations, and I should tell her what drugs I am on.

I see the guy from the street come in while we are talking. Should I try to hide or get away? Or is he just here because of her? I was just an inconvenient by-passer, after all. I can’t get my legs to work under me anyway. May as well just let it play out.

Sure enough, he sidles over to her, whispering something in her ear as the life drains out of her. Like I say, I don’t like to get involved.

I waited for my body to figure out how to cooperate, and got out of there. Back home, I’m hammering this out on my antique manual typewriter. There’s no electricity here in the hole. Thankfully, there is a working fireplace, and places to scavenge wood.

The city’s got a million stories. I like to squirrel them away in these recordings I keep typing and filing. You can see them unfolding, refolding, just out there, everyday. The hard part is not getting sucked in, becoming the story yourself.